Ah, get your heart ready for the heating. It's a great episode for friendship and growing up, and went well in the way it performs some of our main characters on their individual paths of growth, so that they dovetail well. It's a nice way to describe the ramifications of these lives, and how they all grow stronger giving each lift, and as the personal strengthening they can to pay it back, and maybe even forward.
SONG OF THE DAY
Fauré - "Sicilienne" Op. 78 [ Download ]
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EXERCISE 11 RECAP
Yoo-jin mother learns that her ex-husband is on his way Yoo to see -jin performance. to know that Papa's presence is bound to mess with Yoo-jin, she decides to prevent his participation, no matter what happens.
with several hours to showtime, both Yoo-jin and Nae-il have to attend dress rehearsals. But if the band of the locker room, coat check for Nae-il, they find that it's locked himself in the room and refuses to lead.
Yoo-jin connects the dots to think are pushed to play at Nae-il outbreak, and asks for some privacy. only once in the hallway, he speaks through the door to Nae-il, who is cowering and shaking inside.
Yoo-jin said that he now understood why she was-today in such an unusually good mood that today would be the first time, they on the same stage stand, even if it was not the same in performance. He adds softly: "If it is too early to stand for you on stage, if that's why it is difficult to perform for you, then today, it's okay if you stay where you are until you have. to open the door, I'll wait. "
Nae-il open the door, and Yoo-jin connects them inside. She asks: "What if they're disappointed?" He asks who she is, and she says: "The people's expectations of me have, like me, if I can not play the piano and the first place to win, they might hate me "
Yoo-jin assured her:"... There is no one like that here no one will hate you or turn away from you, because the piano If you do not want, you must not to do it. "
Yoo-jin adds that it's okay if she is not yet ready, and promises to them to wait until it is. She looks up at these words, to feel it.
He runs out of the room to inform the school that the duet is from, and runs into Yoon-hoo that bring more determined than ever to suffer his pain in a final performance. His despair makes him bullish, so that even if Yoo-jin says Nae-il is not carried out in the Constitution, Yoon-hoo insists to do it anyway.
This angers Yoo-jin, as Yoon-hoo threatens to force substantially on stage Nae-il: "No matter what happens, I have to meet this today with Nae-il." I understand that he is not to think in the right mood by someone else pain right now, but he like a donkey certainly not jump.
Yoo-jin tries Yoon-hoo to say, ask at least instead coerce, but Yoon-hoo is inflexible and hostile. But then Yoo-jin realizes that he favored his trembling left hand and understands that he is not playing in the Constitution.
Yoon-hoo grits from, "I can, until today." It is not convincing and Yoo-jin insists that the duet had to be canceled, arguing that if Yoon-Hoos on Meds and so much feels pain, things are very serious. Yoon-hoo does not tell him in the rear, and the boys grab every shirt fronts of the other end, another glaring. No, do not fight! Gaksital saved your life! He is your hero!
Yoon-hoo says with pained eyes, that he has held on this long, and says that he started on the cello at the age of three, and it has been his friend for twenty years. If he gets nerve surgery, he has almost no chance to play again, and even if he were somehow able, it would take forever to work its way back. And so today is the day when he passed to his friend of twenty years; the duet is his grave singing
Yoo-jin takes in the words, but he has to coddle never been. he gives Yoon-hoo dose tough love, say that when he was the one that fate over, he was his time to his injury not treated would spend than death for some funereal finale work. And he would his way back to perform work, no matter how hard.
Yoon-hoo looks of a three year old plane as an impossible task to start, but Yoo-jin says if he loved something, he would not give it up. He guesses that astutely Yoon-hoo response is born out of a fear that he will not be able to come-back and so he runs away.
Nae-il wrestles with her own fears, in which show a child mouthpieces on: "would be carried out more easily." there is little Nae-il, who warns: ". If you leave me now, it is difficult for you, you would have to run to nowhere away."
Nae-il understands this, but said that Yoo-jin for them-so they will wait to make him can not wait while their child than life itself, in development limbo. Little Nae-il holds a hand in farewell, and Grown-up Nae-il shake it and then knocks Small Nae-il on his head, offering good-bye to her inner child.
Yoo-jin hears that Nae -il has decided to rehearse and hurries to go into the auditorium, just as she is sitting at the piano. He asks if she's okay, and she asked again, to hold his hand, visible to calm at the touch and call his healing hand. She says that it is not such a big deal after sitting all and asks him in the audience.
When Yoon-hoo heads to the sample ring his doctor warnings that the longer it stores operation in his ears, endangered, the more he his recovery. He had asked if this was worth a performance to lose his hand on
On stage, Nae-il Yoon-hoo thanks for letting them play this song with him (Fauré's "Sicilienne."); she has poured her emotions into the performance and with her it symbolized a new beginning. "From what?" He asks. She answers: "From nothing I feel like I can do something.."
you start playing, while Yoo-jin hears the crowd. Yoon-hoo thinks of Yoo-jin words about not give up, and finally everything sinks in he keeps in the middle of the song and apologizes to Nae-il. they will call the duet from.
you do not know why they did not know of his injury, and he explained: "I'm really selfish I just thought to myself I have you, the new.. begins playing a funeral song. "
Nae-il his shoulder comforting pat and tells him that it's okay. She continues to play its role, as he leaves the building, and ringing her last words to him in the ears: that this is not a grave singing she plays, but Nae-il Sicilienne, for new beginnings.
Guided by a taxi to the hospital, Yoon-hoo calls his mother to inform her of his decision, apologized been stubborn about it. He fights back tears, but at least he is facing his fears head-on for the first time. They are in order!
There is a bit afraid in the last-minute cancellation, but Yoo-jin remains calm and responsible, orchestra joining in sample it with a song start to do their best by their motto. Shi-won noted that his smile and optimistic attitude have everyone else to feel the energy.
Thus a potential crisis was averted and Yoo-jin sighs to himself, "there is nothing more can happen, right?" Great, you're good now just trying fate.
Streseman makes it to the concert (as always stuck for a call from Mina on his phone) and recognizes Yoo-jin's father walk in. Urrrg.
Yoo-jin in the locker room is prepared when a knock sounded at the door. He looks up and freezes, to see his father, whose first reaction is to despise the smallness of the room. It is heart-pinching to see how Yoo-jin is a much more subdued version of himself in the presence of his father; He may not like his father, but you can tell that he still wants his respect.
Dad asks why Yoo-jin disturbed invite him so insignificant event, and Yoo-jin, who had not known he was invited promises not to let happen again the. Dad corrected him hard-what he should have said that he does not play in places perform like this. He assumes that Yoo-jin not overcome was to be able to trauma and spurned him waste his time with silly orchestra instead of going abroad, as it should.
Yoo-jin says he is learning and enjoying themselves, but Dad snapped: ". That's a waste of time" as Yoo-jin clenches his fist at his side, sees Dad and calls him as ever as weak and said that he should have Mom again set aside then and Yoo-jin forced into the hospital.
Yoo-jin finds that Dad just as ever, and Dad replied: ". To his ego, because you had no improvement" Geezus. This is so to see a stress-week, live much less.
After Hurricane Dad blows through, Yoo-jin tries to calm down, to say to pull it into a strand:
"If you fall, your friends with you fall." 
But it's hard to shake the words of his father, as he has no time for friends, until the best everyone is a competitor until he is at the top, it at which point can make friends with everyone, which is a less him.
Des warned Furthermore Dad, "Do not show your heart. If you do that, it is your weakness." Lordy, now I think it's a miracle, Yoo-jin is not even paralyzed emotionally, when he was already there anyway, since his formative experiences.
His emotions good and he throws his score in frustration. That's when Nae-il enters the room sizes the situation and quietly his music to him. This time she takes his hand in hers and says they'll offer the healing hand. Slowly he calmed.
The musicians on stage, and the performance is ready to begin. As Nae-il from the audience watches, they told how the Piano Concerto of Rachmaninov in return after overcoming a severe depression, and notes through them that they can hear the message: ".. It's okay Everything will be alright"
the pianist begins playing, and as Yoo-jin waiting to bring the orchestra, its opinion on still terrible words of his father. And then ... the rod falls from his limp hand on the floor. Gasp!
There is not interfering with the play, but it makes everyone on alert sit. His orchestra members think words of encouragement to him and assured him that it would be fine, and Il-lac self shoots him a wink.
Yoo-jin collects just in time, suggests his cue when he performs with his hands. His Orchestra relaxing and playing on, relieved that he is back with them. Soon enough he is fully absorbed in the performance, directs with confidence and energy, a passionate performance drawing from. (I wish they can be played only the music, instead of chopping it into a bunch of pieces Argh!).
When he passes, Yoo-jin directs his thoughts to his father. "You were wrong friends are the ones that make me, which is not the best, I feel am the best you were wrong again.. a disclosed heart is not weakness has come back there in nature. "
The performance concludes to wild applause and even Dad found a little clapping, however grudgingly , back
Yoo-jin to the rehearsal room to gather, feel shaken from the experience. Il-lac, Su-min and Min-hee to find him there and assume that his mood due to the baton-dropping, and hasten to assure him that it was no big deal, and that he looked really cool with his hands through.
to her shock, he turns to Min-hee and apologizes for ill-being to her when he had not yet understood their situation so many jobs in the work. Then he thanked Su-min to like him, and Su-min is so moved he exclaims: "I am grateful that you do not say that you hated me."
Then Yoo-jin told Il-lac that he to his best friend, and now the band is totally confused. Thinking of the saying about sudden change in personality caused death, they jump to the conclusion that he is ill, and pepper worried him: What is disease it? Is that why he dropped the stick left? Is Nae-il know?
you take him with hugs and Yoo-jin throws them finally from and grumps that is wasted his honesty to them. And hilarious, you can find his crankiness comforting, relieved that he normally again.
Nae-il, on the other side has to sit in the empty auditorium remained. She thinks: "Now I have to go on stage if I stay in the audience, I can do nothing more than look.."
Mom Dad catches as he leaves , mad as Dad to Yoo-jin scoffs for as ever as to be weak. But shocking enough (for him), he some grudging praise, recognition that Yoo-jin recovered from his baton-dropping and that he has grown. He says Mom along the message across that he will see him on an international stage on, which I think is as good as it gets from dad.
Streseman and Mina have a scene. Can I leave it at that? Oh well, so they make things work when Mina says she goes to get not hung up on someone that could leave at any time, and he promises that will not happen this time. There is a bit of a formulation special when he talks about wasting no more time, almost like he's someone who no longer has much time, but I'm not to read too much into it yet.
The Rising Star gang head to the only restaurant in the universe for her festive party, and dad is preparing a feast. It's super-cute, as he was still a lingering resentment against the former A-orchestra people and fawns over the S-members in a blatant display of favoritism.
Nae Accommodating -il has again stayed in school and do Duck teachers to withdraw, who this time spots. Nae-il looks like she's ready to bolt at any moment, but shocks teachers do by blurting that she wants to start teaching as if they, before they say chicken out. do
teacher calls teacher Ahn asking if Nae-il particular fears or dislikes, has the move in turn a promising. He is surprised by her fear of the fans to hear, which happens to be his trademark teaching aids.
Yoo-jin calls Yoon-hoo on his condition to check, but gets held his mother because he is resting after his surgery. Nae-il finds him outside their homes and he picks them waiting (which he denies) and thrill in excitement when she sees his calls and that it still has the heart. He reminds her that she is the one who rescued her name than that, but she points out that he has not deleted. Touché.
Nae-il is thinking a little wistfully that Yoo-jin will go abroad soon and they will stay here, and he starts to say something ,. But before he can, the band store comes in and attacks Yoo-jin with more hugs, whereupon Nae-il to squeeze in back so they snap into place in. Then they can be in his home to continue the party, ignoring his sputtering. Yup, everything is back to normal.
Yoon-hoo wakes up and hears that his operation was successful. Mom gets teary because able to save the hand is not necessarily safe to save his musical career in the situation, but Yoon-hoo tells her that it is all right. "I have found the strength to start again"
morning is Yoo-jin place a mess from the night before, cuddle with Il-lac and Su-min together in Yoo-jin bed. Yoo-jin consisted of having deviated sleeping on the ground Nae-il on the couch, and it moves you to answer a call.
There is Yoo-jin phone, though, and she turns to it groggily Yoo-jin to hand. The caller hears surprised to hear their domestic squabbles to ask with Nae-il for breakfast and use nagging Yoo-jin toothbrush. It turned out that is his uncle (his mother's brother), and he demands that Yoo-jin drops home and the girlfriend to bring with him.
Yoo-jin meets with mom and they both ask what means the summons uncle, and it is only now that Yoo-jin sees Min-hee and Nae-il both work at Mamas Café , Ha, I love that his reaction to ask whether it is. To mother Nae-il here or Nae-il, who called himself brought, because both are busybodies who are able to as well
Streseman by the hospital falls Yoon-hoo to visit, the first assured him that his condition is not a big deal. Streseman know it has to be the opposite, and Yoon-hoo asks him not to tell the others about it. Streseman muses: "You're different, but similarly you and Cha Yoo-jin Stupidly, take on problems themselves similarly.."
Yoon-hoo has now adopted a more positive attitude, and says he wants otherwise try to live. He starts over, and he will do the things he wants to do, and see the people he wants to see.
Streseman wonders if senior among the things he would like to do. OH. Yes! The idea seems never entered Yoon-hoo spirit, but the Master urges him to give it some consideration.
Things are on the up-and-up for the Rising Stars, which are shown in a glowing newspaper articles. In addition, the haughty board chairman announced their agreement to them, the school official orchestra to make Mina excitement. (I love Papas background reactions to the band, because he only cares. So. Much. He scowls as Il-lac hugs Shi-won, and then, as his celebratory cake is knocked down, that glower only ratchets up eleven.)
on the other hand, musing Streseman that the Chairman gave in too easily, ask what she's up to. Sigh. More council machinations? Please tell me that we're done with the machinations.
Yoo-jin with Nae-il in tow comes with Uncle House that, it's like a campus while Yoo-jin said that he grew up here at the marvels superb seriously.
The reason for the summons is clear when Uncle puts it down with Dr. Kim, the Yoo-jin has not seen for a while. After listening to unexpected arrival in concert on Papas, he urges Yoo-jin treatment to give a further attempt to say that hypnotherapy is very helpful if taken in the comfortable seats. Hence the home visit.
So Yoo-jin leans back while Dr. Kim lulls him in his hypnotic trance, to tell him that he is to be ten years old and at this level back. But instead, in the ancient trauma retreat, Yoo-jin only opens his eyes and sits on hypnosis as ever as ineffective.
The doctor tells him that the best way is to achieve hypnosis, if you feel that someone is behind you ready to catch you if you fall, and you are on the sense of trust the case up.
While Yoo-jin come at its meeting, Nae-il travels around the villa in awe, to a room with a record player and a huge collection of vinyl Records. Uncle can be found here and is a record to explain that Yoo-jin grandfather loved music.
Nae-il noticed a photo of young Yoo-jin on a jet ski, and notes that he was not afraid of water at that time. Uncle is surprised that she knows, although he can see that they have a friend before since Yoo-jin never brought home special (and he had not Yoo-jin expected actually bring her when he told him to).
So assumes uncle knows she actually more than it does, and mentioned the plane crash, is the message to her. Just then, Yoo-jin goes through and recognize what they are talking about, and mad cuts in.
COMMENTS
Cantabile Tomorrow is a growth Drama in every respect, but it feels not quite like what I imagine if you mention the concept of growth Drama, I mean in a good way. It is not that these characters live through something new that has felt a thousand of other characters not previously, but this personal storylines come together in this understated, heartfelt way that I absolutely love.
Today suggested me an extra chord, because I the way in which the three main characters all make an important turning point in a way to appreciate that felt completely independently, while still feeling like they together were integrally. I am perfectly happy with an episodic format (that's what I would expect from a manga adaptation, are given the way structured manga plotlines), each episode focuses on a particular character, and then moves to the next, but this episode brought things together really well, and in a way feel that course on their orbits.
I also appreciate that, while approaching three crises on the horizon loom the same situation in a big mess out of fear, had to explode, each character got her moment things do not solve perfectly, not necessarily happy but in a way they could come up with.
For example, I loved everything about Yoo-jin treating Nae-il's collapse in the locker room, not only because he was so gentle and understanding and unconditionally with its support, but because we had seen him completely botch this before. I admit to be quite swoony when a fantastic character in swoops and says all the right things and make the perfect hero (or perhaps even more frequently the second line) to maneuver. But Yoo-jin is not our perfect hero, and it is rewarding people learn to watch where they went wrong and. For this thoughtful response that might not come naturally
Yoo-jin pointed Yoon-hoo, that it was only well behaved in his words, not in his actions, and it seems to me that Yoo-jin can be rough, with everything required in dealing EQ but he is always honest. So if you want to be hard and unyielding to see, and then find a way to get him, it feels like such a moment of triumph. I love that he cares enough to work around them, because in spite of seem really proud, he is not too proud to admit when he is wrong and look for alternative ways to deal with things , It is this property that I see to take it far as a conductor, because it is not a top-down authoritarian leader.
I also love Nae-il's exchange with her inner child, and how to be, despite the literal manifestation of immaturity keeps Nae-il returned, her child is actually quite ready to say goodbye. It's poignant and sweet, and makes them feel that right. It is a truly universal sense of the idea of the fear of the secure room to leave, but finally arrive at the point where the fear will go less convincing than the fear of not . She wants to be nothing more than with Yoo-jin, and in fact could be with him on the stage today, but the only thing holding them back is yourself. And when it comes to this point, there is no reason to of their safety to hold ceiling. It is a really nice way to grow up the conflict to show in a way that, without on-the-nose with his message.
Of course, to live true feeling, just because it is freshly prepared, not start it to make an automatic win, and they will still have to do the work to get where she wants to be. Music is a nice way to show that broader concept, since Nae-il is not ready to go-performance suddenly as they begin this way decided. So we still have to cover a lot of ground left.
As for Yoon-hoo, it was shrill to see a little, just as hard he got, but the actor is doing a great job of character of the interior life in small glimpses mediate, and I am glad that he was finally ready to listen to it (1) someone had to give him a dose of tough love, and (2). It makes a lot of sense that there would Yoo-jin, which would push him towards acceptance because everyone else had given him, sympathy or pity, and Yoo-jin only says compassionately to stop himself . And senior seems more opened as just the thing for him, the other door in the future Yoo-jin conflicts. Meanwhile, I have faith that such conflicts more of its growth-and-discovery type, and less of the standard love triangle way that I think we've seen enough of, and would go from happy. Come on, if you have two musical stars and fight batons, who needs to fight a girl?
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