There is so much emotional growth and relationship movement in this episode, and it's so gratifying feeling to see some of these smaller sheets arrive at their destination. Our man finds it lonely out there on its own, but also takes responsibility for its part and find out how to bridge this gap. It does not come naturally to him, but one thing that I love about this character is his willingness to try. And sometimes that visible effort still worth more than the result.
SONG OF THE DAY
Schumann - "Reverie" [ Download ]
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EXERCISE 9 RECAP
Nae-il comes to Yoo-jin for comfort after their training session runs from where she was , her new teacher said teachers would do. they calmed at the touch of his hand, but the effect is short-lived, because Yoo-jin tells her that she needs a strict teacher to help them grow as a musician, and that they shouldn ' waste t her talent. he takes a call from a teacher do and says that he bring Nae-il in their doctrine, and betrayed the feeling she pulls her hand from his grasp.
Nae-il screams that he is to force just like any other for them, if that leads to tears and pain, but Yoo-jin replied that if everyone has the same to say, then she is the one who is wrong. he's not mean about it, but ouch, that seems a little tone -deaf to Nae-il beaten reaction She sobs. "not to do in the situation, as I want to, do not know how that is. it is not that I not to do it, it's that I Cant is. I can not help, and that makes it creepy. People like you do not understand. "
But these words strike a chord and Yoo-jin its immobilizing fear of water thinking. He tries Nae-il, to calm down and proposes talk it out, but it is too excited and tried to shake him off, he just thinks they go their lesson to tow. she lets her rag doll in the process, which is picked up by Yoon-hoo, it can be seen from the uncanny ability Yoo jin
Yoon-hoo calls Yoo-jin made for its continued rudeness and Yoo-jin tells him mind his own business. But when he reached in the worst light to a pop-up.
for Nae-il's arm she jerks it out of the reach and shrinks back, instead of huddling behind Yoon-hoo. is it mean of me Yoo-jin is injured to find satisfaction? 
So nevus il follows Yoon-hoo, when he goes away, to keep as a lifeline to his arm, and Yoo-jin watches, very confused feeling.
Yoon-hoo attempts by Small Talk Nae-il to pull out of their gloom, and when she's worried about Yoo-jin with her to be around angry, he tells her it's okay to express their feelings and scream and get angry. She gets tears in his eyes thinking that he no longer see, he returned all her things and changed his door code. Yoon-hoo brushes tear one off and repeated her words back to her. "It's over now, Cha Yoo-jin and"
Her words ring in Yoo - jin ears, and he surprised teachers do by him to ask a favor, because he had thought only of Nae-il's talent and not the fact that it is an anxiety child who from the things that she runs out of fear: ". it takes some time"
While sitting at her piano, Nae-il sees her childhood sit even near, wishing she did not have any piano talent. Little Nae-il adds that they do not Yoo-jin like to attempt to do away to teachers to send, but Grown-up Nae-il, she does not say forever to hide from the things.
Small Nae-il reminds even adult that she wanted, would remain childlike, but now has changed. Nae-il she says does not want Yoo-jin to see only the child in her, only to have the child, point out that Yoo-jin is already the case, and that he has never been so sad when he is wrong , Nae-il frets: "Did he see me how you really?" The Reverie (dreams) Song selection, Nae-il topics along with Liszt Liebestraume (Dreams of Love), today is particularly poignant, coming as it does from Schumann's "Kinderszenen".
Next door, Yoo-jin flips through his phone and breaks on Il-lac name scoff to himself: "Since when you need your friends?" But he sees the door restless, Nae-il expect any minute bursts before remembering that he changed the code.
So when the doorbell rings, it opens with a smile Nae-il there are to see, even though everything they do for the rest of her things ask. He says that he did not, it assumes, means that he threw them away, and says that Yoon-hoo was right in it as meanie pegging. And this name makes Yoo-jin bristle.
They hypothesized that he did not even think that he has done something wrong, and he admits to be rash, but begins to explain his motives. Nae-il cut it to query why he did not just say sorry, can not you make that they understood. "I apologize every day," she "not even if I do not know what that is. Why? Am I not even worth an apology?" Says
She goes back to her apartment, he confused and disturbed to leave.
Our core group of S orchestra members to always sit feeling depressed the longer they go without hearing about the fate of their group. You would hope for a positive response after the concert, but now is the lengthy wait, it has the edge, and they start sniping today about who has it the worst, without the orchestra.
As the leader, Il-lac tried to smooth things over and lifts his violin duet practice with Shi-won to handle the gaiter. She is disappointed when wrinkles on her forehead An orchestra friend who asks if she has something going got with Il-lac.
You do not see that Il-lac observed from afar as she leaves the practice, mourning them Romeo and Juliet are now demanding that their orchestra dispute has torn them apart. That's adorable. Dim, but nice. The shoulders hang and heart ached, he stares the sky and wonders why it is so black. (Dad: "It is night.")
Dean Mina decision with Yoo-jin shares first, wanted to give him time to prepare and possibly head off misunderstandings with the remainder of the orchestra. Yoo-jin tells her that he has considered it and decided that the simplest answer is to accept only the misunderstanding. Okay, now, if they "Eroica" intentionally in this scene just play to him seem to make extra-heroic about it, I'll keep my eyes to roll a bit, because noble idiocy drives me bonkers. Still, it's nice to see Yoo-jin, that things he takes for granted are things that have to work the S Orchestra Family and fight.
Yoo-jin must know something of Mina in the past, because he says they need to understand their feelings, why they started this project in the first place. He says that the S-band is what these students-people who were likely to be music as they live on their financial statements and do not pursue careers in it-hope with music.
Dean Mina were hopes to help the hopes of the students to grow, he guesses. "And so we want to try it," he says. "There is no other way anyway."
Mina is to announce the resolution instruction S Orchestra. But Yoo-jin smiles. What is your new plan?
The notice is posted and rehearsal hall of the S Orchestra is closed. Yoo-jin thinks back to the question asked Streseman of which orchestra he would choose between the traditional and talented A Orchestra or the free spiritual and emotional S.: "I'll find now the answer to that question," he says. "Not alone, but together."
The S Orchestra members break together before the scoreboard, crushed by this news. But then ... a second message posted next to it-the A Orchestra also dismisses. Omo. This is unexpected.
the importance to explain this, Mina on the speaker is clear rather than the full ones that will create a new orchestra, and Yoo-jin will be conducting.
say that this is an unpopular decision is an understatement, and Mina has also repel faculty complaints. But it concludes, adding to the line up and she said her work that this orchestra fails, she will resign from her position as dean.
Yoo- jin joins in the staff meeting her to present her case: you want to put an orchestra together that, a brand that his school possesses both the individuality characteristic of the S-band and the technical capabilities of the A-orchestra. If the more qualified A Orchestra has a fault, it is that it is built to appeal to the judge, all cold precision and without connection to the listener is.
to keep things fair, they propose a blind audition, both teachers do and Ahn are judged. To be selected, both teachers have to approve. do
Neither teachers nor the Faculty Chair are on page Mina, but they find out that these provisions to favor their side. Blind audition or not, it should be easy enough to select the A band members they prefer.
We get inside Yoo-jin head to see the orchestra that he sees how he fills the empty spaces in his mind's eye. Shi-won gets the concertmaster position with Il-lac leads the second violins. Our main S Orchestra members have all spots and Yoo-jin's even first cello Yoon-hoo ... though he'd rather not look at him in his imagination and waves him out of the vision, heh.
Yoo-jin wants to talk to his friends about the news, but they eye suspicious and accuse him of a process developed him to let them fall. He asks if they have no confidence, and Il-lac replies light that they of course not to know that the judgment against them from the beginning. Oh, it's sweet that Yoo-jin has more confidence in them, as they do, though perhaps he lacks the social graces to convey in a manner that they can understand; he says to them, only to practice until they gain confidence, frustrated with the response.
brooding to himself, Yoo-jin sighs that usually Nae-il would run screaming him "Sunbae!" she keep distance, however, and he asks himself: "Is it really about me not going to follow," he wonders what it is these days to keep so much to do.
Nae-il wrapped another part-time shift at the cafe, sharing a snack with Min-hee on until Mom pops by to greet them. Suddenly uncomfortable, to Nae-il excuses and quickly leaves, so Mom confused. Min-hee declares that Yoo-jin, the cause of many hurt feelings, and mom realizes everyone knows about her mother-son connection after the last concert.
you going to get on to Mina filled situation, not thrilled that her boyfriend gave birth to her son in a difficult situation. Mina recognizes that Yoo-jin stuck in the middle of a lot of hard feelings, and goes almost too far from Yoo-jin's father's education, although she keeps short, it is a sensitive issue to know. Mom admits that nothing compares to the damage that Dad Yoo-jin gave, with its over-exacting standards and contempt for everything. Under the first place
Yoon-hoo moves into an apartment in the same building as Yoo-jin and Nae-il, too Yoo-jin upset. He ignored Yoon-hoo outstretched hand and grumpily breaks grumbled to himself about Yoon-hoo motifs hang Nae-il all the time. to be the views of Yoon-hoo interesting vague in Nae-il niggles at him, but he scoffs at this idea as impossible.
Yoon-hoo loads the S Orchestra Department over a housewarming that Yoo-jin can hear up from his lonely place. Its presence is not entirely unnoticed-Su-min to timid comments, but the hostility is too strong to fathom him invites to join. Poor Yoo-jin and his sad, sponsored almonds.
Yoo-jin peeping out over the top railing when leaving his friends, overheard as a comment on Nae-il apparent "like a girl" with Yoon-hoo. Min-hee says, that's what happens when a man, a girl treated like she's a princess.
Yoon-hoo addressed the issue duet with Nae-il to ask them to make it serious consideration. She wriggles on the idea to ask if it is important and smiling in relief when he says no. But then he stopped his thoughts, that he not only seriously, it is absolutely desperate to do it. He explains, is taken with the idea, since he heard her play at the music festival, and wants to see her any more than she wants with Yoo-jin. And that is a feeling that they can refer their opinion flashing again, as it is practiced to be sick to want to create his new performance Grieg.
Yoo-jin surprised by an unexpected call from Streseman whose calls Mina remain unanswered. She is still angry at the way he had gone, but Streseman insists that he not run away this time, and that he dragged against his will (... for running away last time mind you).
Yoo-jin right along to Mina, to pass the message, and then there is his recent sufferings to share when Streseman Notes something oppressed in this him. Yoo-jin explained the difficulties with Nae-il and their teaching, saying that it would be a waste of their talents to let go undeveloped, if he wants them to boast and show off.
Streseman asks, "Why would you Why do you want to boast?" The question literally stops Yoo-jin in his footsteps.
Yoo-jin passes the piano practice rooms, where he sees playing Nae-il. I love the beat, where she is smiling, and he smiles almost involuntary response. That is, until they talk to someone turns around and he sees that there is someone else in the room with her-Yoon-hoo.
Nae-il the song beats as their duet played piece, and the look on Yoon-hoo's face when he realizes is that they gave me to play with him a little only kills agreed. It is so touching and watery
The scene of some of the Maestro Council brings to mind. "Not too late not to bring your feelings, or mistaking them in." Sometimes the kooky manchild is quite sharp.
Shi-won feels Il-lac to have noticed that he has been to avoid them. It pays little attention to his incoherent "But we are Romeo and Juliet" argument and suggests a Chat, Leader of concertmaster. Neither Orchestra is pleased with the blind audition situation, and they presented Yoo-jin as their common enemy. The S Orchestra feels of the procedure devalued, as they are for the failure are established, while the A-orchestra feels to be a pen insulted thrown to the ground when they know that they are the elite. It makes its proposal :? What if both orchestra boycott the auditions
For what it's worth Il-lac looks not entirely comfortable with the idea, but he puts it on his teammates. Still stung by his former BFF feeling he says Yoo-jin should learn failure once in his life.
Dean Mina worry for Yoo-jin's sake, because they know that it can not be easy for him to be on all sides by fire. He looks at the audition as a turning point, and assured her that, once they are done, the misunderstanding will be cleared.
Unfortunately intercepts the boycott idea and soon the teachers wonder why nobody audition applied. When Yoo-jin captures wind, he sits directly-Shi won to ask why their members would avoid a process that is favorable to them. Shi-won argued that the A-orchestra was more important to her as Yoo-jin credit for was and blames him and Mina that for Wrecking. Yoo-jin recalls, however, that while they treated the A-orchestra as something special, they can not speak for the others, most of which are conducted after studying abroad and with the orchestra just as résumé padding. It's all cold calculation and no heart. You can not argue his point really, not that it does not make them less agitated.
Next, Yoo-jin waits to speak at the restaurant Il-lac, not deterred when Il-lac trying to push past the cold shoulder. He gives an audition on application Il-lac regarded with contempt and exasperation Yoo-jin asks why he has so little confidence.
Il-lac spits back that Yoo-jin is the one who first ditched, but Yoo-jin corrected him. I think "Not believing in me -in itself, that you'll do it, but why not? "
the words catch Il-lac unprepared, and his father takes him into conflict over the form. Il-lac sighs that it is mixed about Yoo-jin to ask his reasons, but also to hate him. Dad says only example that he has really Yoo-jin really liked to feel must've such depth of emotion.
Yoo-jin, a little drinking in a bar does, then waits before Nae-il's door until she comes home. He asks why she did not follow him more, because, as it never used to it that it felt to role it disturbing. Quietly, she only says: "Because you do not like it, I will not do it." Gah, it's not even true, but Yoo-jin just right not to say capable of what he really thinks, so it has no contrary.
So Nae-il leaves her door him where he crouched holding his head and thinking back, he had been drunk at the other time at this point, at its first meeting.
Nae-il listen for a moment at the door, worried that he's drunk. But when she opens the door to check on him, he's gone.
audition day comes, and true to its promise to arrive, none of the members of both orchestras. Nae-il comes by to check on things, and is surprised, Yoo-jin sitting alone in an empty room to find because her friends she had kept out of the loop, so they tell Yoo-jin ahead of time.
They confronted about their friends, but they are in no mood to be convinced, and points out that Yoo-jin was the first to do any renunciation. Nae-il reminds that Yoo-jin, who came to their aid when they ditched Streseman, and then again when its director fell ill and well, she did not know that by now. Min-hee, Il-lac and Su-min see all discomfited by the knowledge, even if it is not enough to turn it completely.
could not change their minds, Nae-il returns to the still empty audition hall and connects Yoo-jin, who says wistfully that he had thought his friends would in him have more faith.
For the Nae-il simply says: "If you do not talk like they know you always think on your own, and decide on your own?. you have never asked what we think. "
you will go up, but it packs to keep them on her arm. "About Teachers do," he says, "I'm sorry. I was wrong. I knew you were afraid, but sent you anyway. I would not have done. I would have asked you first, but I just thought to me. Because it was for you, I thought it was okay. I'm sorry. "
Oh, look who's growing up is right before our eyes. I am warmed forward of Yoo-jin step, although I can not help also, but feel a twinge of sympathy for Yoon-hoo, who has heard this down from the hallway.
The judges wait in the empty hall, with the teacher provides you angry relies call while teacher Ahn encouraged only to wait a little longer. And it's a good thing, because Il-lac has inspired action and sending a text blast to everyone, asking "Do you want to try the faith, in Cha Yoo-jin He says that he believes in us?. "
Thus, through the building to make the S Orchestra friends races for casting, a little embarrassed to see each other after vowing to boycott, they feel inspired, how to do Il-lac suggests.
you walk into the hall and pretend Nae-il and Yoo-jin, arriving in time behind a screen of the first student to see his place. We can see no faces, but it is quite clear that there Il-lac, and as he begins to play, Yoo-jin found tension and held its breath, only willing to make Il-lac well.
Nae-il, who stood beside him, reading his nerve and stretched to take his hand.
COMMENTS
Oh, I love that. The first part of the episode was a little slow ( or maybe just sad because Yoo-jin, without his hacker crew is a sedative), but I may be the need, in the manufacture of Yoo-jin feel the effect of loneliness, he would see wrought ~~ POS = TRUNC, so it'll take him measures could drive forward. Edler idiocy can also be done, but also in such cases, I will often find it frustrating, so I am happy that the growth Yoo-jin finds him on the silent victims drives his feelings actually bring expression.
There is also a nice (if depressing) Turnaround Yoo-jin pushed his friends have gone, so that the load put on him aright things. I never had it take advantage of all the feeling of good will, but I think he took her puppy-dog adoration for granted, and hidden behind his faux disgruntlement at its clinginess. Mind you, I love watching him grumpiness pretend while their presence to enjoy, but it feels honest to show that the friends not mindless followers are, and that they sensitive feelings, and if he likes it, he is going to have to actually step it up and show them.
His new band, a step in the right direction, but a move is not enough, because he was told nothing about it; They could not blame students for misinterpreting his motives when he let them actively decided. How were they to know that it was for her roots when he never said as much? We are privileged to be in his head, but the other can only make sense of what they see, and it is never to show a lot.
It feels right to have Il-lac, be the hinge, because he was (apart from Nae-il) and the main opposition Yoo-jin's biggest cheerleader, resulting from his pain. Plus I am glad that the drama Il-lac shows to have innate leadership qualities, because the morale-building and emotional management are just as key to keep working an orchestra as it is to have a conductor, leads them into the technical aspects ,
I feel like the drama perhaps spent too much time to the policy behind the orchestra deathmatch structure, but now that we're doing here, I like where it is taking us. (I would argue that the drama had the episodes with the same key action held structured beats, but do to the lecturers and teachers cut scenes that it is just as effective and more fun would have done.) I can see where it feels to have a little dramatic devoted to the question of this great drama, of which the orchestra is, but I think also makes sense to me the fear from the pupil's perspective. An orchestra is a complicated enough organization that you not only out of nowhere can conjure up, and when a school for only allowed, there is little motivation to pour into a renegade band that you have no credit (or performance opportunities or recognition are).
Thus, the S Orchestra feels very lost because these musicians are that in an orchestra not have the conventional manner would get who have discovered this new joy, and now because of politics snatched it , The A-orchestra children have earned their points, but Yoo-jin has a point to say that there is a difference when your membership primarily it is to do for the resumé buoyancy. He wants skill and musicality and passion, not just one or the other; so that the new orchestra, taking his and Streseman vision embodies the best of both worlds.
I am happy that this episode for me marked a turning point where I now feel that both sides of Nae-il / Yoo-jin are dynamically assimilated simultaneously to develop and hand in hand. First of all, I love absolutely keep silent hand, at the end of the episode, which is a good way, goes back to the top of the episode, as Nae-il needed to hold his hand for emotional comfort, and is now the one to extend it , It is the first time that she has been able to support him to be -or, perhaps more accurately, the first time, he may be open enough need support.
This episode has seen me, how much I do not like when Nae-il and Yoo-jin apart. At first I thought the drama presented her relationship with much of his side, because he got all thoughtful insights and they got the funny physical gags. They divided clearly a bond, but it felt like the bond is not the same thing for both sides meant. But now I'm finally getting the feeling that they grow together and independently, and that is an exciting feeling. When Yoo-jin actually missteps and false reads Nae-il, making him for such a moment of growth, because it is forced to examine what exactly he wants, and figure out how to get there. He no longer has to throw at him to pave the way, so it all on him.
I love that Nae-il Yoo-jin to apologize questioned without rationalize his behavior, and that he came to understand that and offered it to her without strings at this point, it is perhaps the only thing he could say to make some of their confidence back. And while it may not be convenient to open and leaning on the people, he felt firsthand how it feels to suffer themselves, while protecting and remains closed. It turned out, vulnerability is not so bad if you have company. []; _taboola.push ({mode: "Thumbnails-a 'container' taboola Down Item Thumbnails" placement "Below Article Thumbnails" target_type, "Mix"});
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