Whoa, are the things reasonably well. It came a little later than I wanted, but better late than never. This episode injects a fresh jolt of energy in a story that has its villain and the secret already revealed, and I find that a very welcome thing. While the plot developments are so far not been entirely predictable, per se, I have found them to be largely surprising, especially because we are always one step ahead of the characters, and a tendency that kind of omniscience to be boring. Therefore Gap-dong a show that I had been enjoying for many reasons, but not for any kind of keep-you-on-the-edge-of-your-seat anticipation. This episode turned the game and throws a curveball that has me sit a little in my seat, piqued curiosity.
SONG OF THE DAY
Every Single Day - "Time" from the Gap-dong OST [ Download ]
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EPISODE 14 RECAP
In the interrogation room, Section Chief Cha waiting in tense expectation Share recovering their new daughter's face Gap-dong as Maria prepares. she says, slowly, that it's like she saw before her face somewhere, trying to grasp where. Chef Cha aside upon arrival steps sketch artist, and him Maria eyes exactly as it finished. she has the connection?
, the monk recognizes one of the women on the missing Board reminded that they work in a cafe, used. Women Jung -sook observed regularly commemorative rites at the temple.
prison gets his wedding after all, and take their wedding march the hospital corridor Ji-wool and Tae-oh. Tae-oh looks smug while Ji-wool a wooden face wearing and looks more like she heads to her execution.
Maria sends a sad look and not shaking his head, but it's Mu-Yeom, who express the age old question of rescue steps in when the monk objections asks. Ji-wool lights as Mu-Yeom grabs her wrist to pull her away.
... and then Ji-wool snapped out of her reverie. Ha, you can not blame a girl for dreaming. She brightens when Mu-Yeom calls, but emptied when they in the station steps and find him with Maria. They sit with the sketch artist, a computer program to fine-tune the playback of Gap-dong face. However, the result is not aligned with Maria mental image, which is frustrating.
So when Mu-Yeom desire Ji-wool joins them and helps the process directly, which is much better and leaves them with a sketch that looks a lot closer to our offenders.
boss Cha grows increasingly tense as he watched them work. Mu-Yeom informed to get the drawing 20 years which puts even more on edge him him about his plans of Digital Forensic Center age.
Tae-oh asks his jailer Maria Call Again, increasingly concerned. But Mary responds sternly that the only reason for them to see Tae-oh, if it has more crimes to confess. It may sound harsh in light of Tae-oh despair (which begins to feel pathetic), but it seems the most professional answer. You will not be more toys Tae-Ohs, for emotional manipulation.
Ji-wool visits Tae-oh, the thought that they are fighting on marriage set. He tells her not to torment upon them, or pretend to worry if it is going just at the end to agree.
Contrary to his expectation, Ji-wool called Tae-oh family very impoverished, especially compared to Mu-Yeom, who had once told her: "Without compassion is the greatest poverty. in order to make a chaebol. "she says that he and his mother are extremely beggar in, and therefore rejects the proposal. Good for you.
The monk shows Mu Yeom the Temple Records family monuments that the missing woman, Jung-sook, observed every year. to end the visits in 1995, before only the eighth murder (the woman officer, Crybaby) was committed. Mu-Yeom asks if anyone is there who might remember Jung-sook, and is pointed in the direction of an ajumma who happens to be an old friend of Ji-wool mother; Both were friendly with Jung-sook back in the day. A view of the pipe in the vicinity of the wife panting in memory.
The ajumma explains that when she worked in the cafe, there was a woman officer who was there undercover. It was at the height of the Gap-dong terror, and they, the women had given pipes to be used in case of trouble. Her real name was Kim Eun-ji, but to preserve their cover they would be called by a nickname-crybaby.
Delving further, Mu-Yeom finds that Crybaby and Jung-sook were classmates. Section Chief Cha suggests that it is premature to call Jung-sook other Gap-dong victims, but Mu-Yeom has undertaken to investigate.
boss Cha definitely looks worried, but he is thinking: "How can you guys might find out the truth?"
Tae-oh lawyers go with affluenza defense that the prosecution has nerve. The prosecutor wants to Tae-oh to go in its entirety and is therefore frustrated when he is told by a higher-ups to seek life imprisonment rather than the death penalty. But the prosecutor pointed out that Tae-oh has a good chance to get away with the psychiatric diagnosis of the patient, and so they could lose if they go after the harshest sentence. The prosecutor asked if the chaebol group is to put on the case pressure, as appears likely.
Ji-wool arrives at the station, ready to say, not to accept Mu Yeom its decision Tae-oh proposal. But his reaction is the opposite of what is hoped for them; when she says she visited Tae-oh, he jokes that he is happy to serve it from itself, to have their feelings away and held on Tae-oh.
Hurt, Ji-wool states point-blank, right there in the middle of the station, "I like you." It shows the love letter on the board and said, ". That is exactly what I feel," she fountain in tears of rage and says that she said, the words did not explicitly, but it feels like it countless I said times. "Is that what the love for you? You only see the person you want?"
Mu-Yeom pulls her gently aside and apologized, saying that he is only concerned because they for seems to be Tae-oh hopes to change: "But to change the people like who do not."
He wonders who really sent the letter, and the is something Ji-wool can help him with. She shows him the copy of Crime and Punishment , he came and said that Chief Cha need to have it donated to the library. He sees the name on the cover written under the "Is there such thing as a perfect crime?" Note (from Christmas Eve 1993, the day of the first Gap-dong murder), and realizes that the dead officer Kim Eun- ji must Chef Cha fallen.
modeling age progression is finished, and Mu-Yeom with Maria the Gap-dong image looks over who can not shake her sense of deja vu when the face to see. Mu-Yeom suggests that she might have seen him in their day to day life, and encourages them to think. The old model has certainly traces of Chief Cha in there that we can say, because we know he is the man who knows, but it is understandable why it is not immediate recognition triggers the time being.
Maria has not yet made the conscious connection, because it makes the Chief Cha goes to seek another official testimony. Now that she has recovered her memory, she hopes her additional information on Gap-dong to shed more light.
Mu-Yeom takes the love letter to the Mother officer Eun-ji, victim No. 8, which is grateful to have it. Mom recognizes writing her daughter and stationery, and at the thought of Eun-ji consoled someone to have loved, especially when Mu-Yeom describes the man as a wonderful person and good detective, and someone who will surely make Gap-dong caught.
boss Cha observed from observing how Maria is their official statement. She explains that she and her best friend had repeatedly played the same hand in rock-scissors-paper, as if. By tacit promise But her hand changes almost by itself, and the time she won, she thought. "I'm saved"
But had to live Gap-dong intention simply with their will played to kill her next. It recalls the words he had used mockingly: "Does it feel good to win"
Tae-oh stews in his cell, thinking about Mary words about the mystery of the ninth murder. She wondered if perhaps would Gap-dong compassion had felt for the first time in his encounter with her-that's why he left off? Tae-oh scrubs the floor to hear "compassion" to murmur again, "What is compassion as large?"
Maria is waiting to take them to eat outside the station that evening for Mu-Yeom, although he doesn 't make it, because he will meet with the victim's mother. Chef Cha chat with her in a friendly tone and once again tells Maria she is quite hard, and that they won against Gap-dong. There is something about his face that triggers a feeling of recognition in Maria, although they have not yet put her finger, why.
Then face Chef Cha turns scary and he asks pointedly: "Did it feel good to win" Maria looks him in shock, but he smiles blankly only they at and stammers her, "Uh, yeah."
Maria bracelet falls to the ground and Chief Cha offers to take the opportunity to get closer to fix it step for her-he deliberately provoking her memory? Maria in his face looking in a new light, the sense of unease is growing. Even still, she shakes her head against the suspicion, say, it can not be.
boss Cha hears that Yeom Mu for the address of the victim No. 8 Mother asked what he alerted. He visited Profiler Han Chul-gon next, and when Mu-Yeom connects them, it is that it comes with Maria von Essen.
leaves as Cha, he flashes back before this eighth murder when he was a young detective, he had arrived in the cafe and saw his colleague there, working in her cafe girls robe. Jung-sook with her, and on Cha arrival, she asks Crybaby / Eun-ji, "Is that him?" Eun-ji, she murmurs, lowering her voice, and Cha watches all curious. It sounds to my ears that Eun-ji was caught in a I have a crush now, but Cha mind goes in a different direction.
Late at night, when Eun-ji goes home, Cha waiting in the shadows, she and binds them to knock up. Eun-ji cries when he binds her wrists, and Cha she does not blame to: ". It's more fun when you cry" And then he takes to strangle the life out of her.
Now Cha asks: "What is it that Ha Mu Yeom know Why lie"
But perhaps it is the letter , eventually triggers Mu Yeom suspicion because now he. his concerns about Cha with shares Chul-gon and Han Profiler They ponder
Eun-ji mother calls Mu Yeom to make a request. The idea to go undetected at her daughter's feelings is too sad. Could Mu Yeom the intended recipients say the letter to be in love over Eun-ji in him? He pulled on the request, which he later in the evening tells Maria, saying that it could come as a shock to Cha-he never had dated before he married quite late, so that the dead officer could have been a first love.
Maria asks hesitantly, what kind of man Cha, but standing further from the thought, unwilling to express this suspicion.
Mu-Yeom thinking back to the night of the ninth murder, when he had to throw together around his nunchaku foot. He hears rustling in the woods and a shadowy figure leaps out at him. Mu-Yeom hits him with his nunchaku, shouted "Gap-dong" to recognize only his Hyung (Cha) and they laugh a misunderstanding from.
He asks Chief Cha afternoon aside for a chat to step wear marks names with him an envelope with Eun-ji. They are striving for different reasons, and Cha hears curious how Mu-Yeom says Eun-ji left something before she died. He hands over the letter and realized Cha, " This is what it was?"
boss Cha bewilderment sticks with Mu Yeom that after separation ways to decide to head back and looks like Chef Cha this letter crumpled and in to throw the garbage. Something about his reaction provides a confirmation of Mu-Yeom, of his suspicions can not shake no. The sight is deeply alarming and Mu-Yeom breaks down in angry sobs, the good Hyung think that, after watching for so many years.
Mu-Yeom storms in Chief Cha office grins with his nunchaku in hand and Cha. The game is over. "You have it out eventually?" He asks. "That I Gap-dong?" Mu-Yeom flies into a rage at him and hits him on the head, blood spraying everywhere ... and then he wakes up from his nightmare.
, the monk finds him in the middle of the night outside brooding and offers him advice: "Do not try to be a hero The difference between a hero. and a psychopath is a piece of paper. "people like Hitler and Napoleon, for example, are just psychopaths who was heroic. People want heroes to save them when their lives are difficult, but you have your eyes too much to be to large to close people's lives, feelings, interested.
The monk worry about Mu-Yeom about going edge, especially since he already has a touch of the crazy energy. The monk advised him to go from hunting permit, say philosophical that Gap-dong anyway be a wreck, wherever he is, afraid of being caught
But Mu-Yeom interrupts. "What if it isn 't? What if he still does something?"
he heads over to Mary Chain, told her about his dream. And then he asks the question no one really asking, stopped: What happens if they find Gap-dong He tells Maria the story of a woman who met her daughter rapist after he was released, and he asked how the girl was doing. The mother was so angry that they burned his building and killed him and landed can be punished as he.
Maria asks what would Mu Yeom do, and asks if he found out who it is. He directs and said that he would not be surprised if he knew the answer.
The next day, Chul-gon drop by to ask Chief Cha office as the cause of his recovery comes along. Or rather, I suspect that his apology to deliver this letter, which he says Mu Yeom concerned because Cha boss could be bothered unduly by him. Chul-gon she asks to see, but passes the potentially tense moment when he withdraws the request, laughing. He calls this (his assumption), the curse of the detective, but there is a hard look in his eyes that he. Levels towards Cha
Mu-Yeom digs through old files of the eighth murder, addiction boss Cha witness statement from 1995. It sets Hyung-Nyun on the job of the secret upper Cha residue, and leaves him in the secret Cha Gap-dong.
Ji-wool and Maria talk as the young temple boys, bathing talking about her new webtoon about this detective killer. Ji-wool shares the tidbit that many psychopaths are drawn into the career of police officers, and to be while most get stymied by the entry test or otherwise fail policemen, some manage to make it into the ranks.
There is a woman in Ji-wool story that writes a love letter to the detective psychopath, but do not show the letter only 20 years back, after she had been killed by him on the day she confessed. Well, give it to them although I they just found together in a plausible psychopath history, a little for my taste at Ji-wool relevant for pulling facts from real life and weaving. Come on, it is a good storyteller, not clairvoyant.
Maria text of Mu-Yeom is where he says that because she likes Chef Cha as much (one of the adopting jokes he teased she had), he will send her a picture of his young self , And the moment Maria young Cha sees she twitches shocked. She crawls to her trailer in a cold sweat, stunned.
Ji-wool finds her trembling and crying, and Maria hangs on for dear life to her as she sobs her terror from.
Mu-Yeom meets Maria later in the night, and in spite of their hopes on the contrary, they are now on the same page about Cha identity. Mu-Yeom had felt the feeling, but took Maria certainty to cement his own.
drive past the railway station, where the sight of a smiling boss Cha Maria has so incensed that they tried to walk him to confront. Mu-Yeom detain them, knowing that her pulse to cover him and would accuse him of not satisfactory. "True anger is not enough just to be anger," he says. "We have to prove that he is the monster now."
Mu-Yeom noticed bitter the irony of the matter, where the killer catch brings his captors suffer more than the criminals themselves. Maria starts to wonder if they should only kill him, but he decides that except to easy. Now the new countdown, which marks a new period for how long the animal lives begin.
Mu-Yeom sends to the prosecutor on a confidential file, instructing him to watch with Detective Ki-ri. There is a video that examples from other countries lists in which was suspended the limitation period, as the case of France pretend to pursue Nazis after the Second World War or the US allows it when DNA evidence without a suspect is found match it.
When Mu-Yeom Chief Cha thinks back that throw love letter, now we see exactly why he upset that. Cha had been practically in a trance fury as his hands automatically turned the letter into a familiar knot. He had stuffed, writing knotted into the garbage, in the trash stabbing with almost manic energy. Then had Mu-Yeom that paper fished.
Mu-Yeom heads asks the prison hospital, where he shows this letter to Tae-oh and for his support. Omo. Now this is a strange new twist. But Tae-oh is admittedly valuable: "I need you to tell me how we can lock up the animal."
Mu-Yeom calls it a fun game for a psychopath, a game of chicken propose. Maria shows added to their two cents: "Can I be the referee"
And so, Tae-oh is equipped with a tracking anklet and released. The trio on an open stretch of road, with two cars ready to move to the. Oh wait, that was not a metaphor? It meant a literal game of chicken? Maria tells them the rules: The one who wins gets closest to the edge of the cliff, and the loser is (I ... do not think they understand how chicken really works There is no "the Hound Gap-dong catch. ". the cliff edge in chicken! But I suppose that's minutiae.)
get the boys into their respective cars and take the wheel. They rev their engines and wait for the signal. Maria hurls the white scarf, and the race is.
COMMENTS
Innnnteresting. I had given up the idea of Gap-dong to be any kind of thriller, because while his story very interesting as a character study intensively, damaged and / or has been compelling characters, it has not excited me actually. It was more of an intellectual exercise than an emotional experience to follow human thought processes and deepen in their mental functioning. We had all the murders showed us before the good guys knew about them, and we saw the reactions of killer front, and therefore deduced the truth episodes did prior to our investigators. As a result, I saw more to see how our heroes and do not respond due to a pressing need would be to know what would happen.
But now the focus of finding a murderer whose position shifts we already knew (Tae-oh) or the identity of a dormant one (Chef Cha) or discover the details of an interesting but honestly uncovering long -Past series of cases. We are moving to make discoveries, to work over the past away in the present, and I can only find that much more exciting. For the first time in this show, I felt my pulse literally accelerate somewhat in the way that a good thriller engage your feelings on your mind.
My newfound interest is twofold, the first of which will attempt initiated by Mu-Yeom to get exposed to the statute of limitations. The whole time the show has reminded us that Gap-dong now basically home free, only to find him, a victory would give us no net because legally our heroes' hands are tied. This was a concern that the character could slide to the side, while she had the more pressing issue of copycat killer on the loose, but once Tae-oh was arrested, resurfaced the flow problem.
sure, our characters go in search of vigilantism and kill Gap-dong even law be damned, but this show has always made sure the victims indicate that suffering does not end with the villain. this is the great injustice, well, injustice -. you can not do it in justice can turn if you could do better with a counter, it would not be wrong that's the nature of the beast, and that is why, despite a sympathetic acting performance of Lee Joon. I have limited sympathy for Tae-oh. He could sad now feel that it is closed with no one in a cell, to hear him talk about how "choked" he feels (oh boo hoo), but he took six lives, amused for five of them, and to make there is no way up for it. Oh, your mother never loved you? I do not see how killing people in any way to know in an unfortunate circumstance of many people is alleviated the feeling that somehow manage a productive life to lead anyway.
best way it would be a hollow victory for our heroes be Gap-dong even kill if they could do it and escape legal reprisals. More likely, however, is the worse scenario where that comes to their fear added yet to be a double punishment, but as a reclamation.
The limitation period is one of those things that we have granted only for a fixed unit, as our characters, there have been whole life, shaped by the knowledge that hard line that they can not change that now they have to live. But in a broader context, a limitation period is an arbitrarily chosen number codified in the law - who you say not to change it? We have worked to go under the assumption that our characters need to find their way around this roadblock, but Mu-Yeom opts for the frontal attack and go through it. I know that the monk did not ask him to be a hero, but the hero is quite worthy things right.
The second point of interest this is unlikely (unholy?) Teaming Mu Yeom Tae-oh, what honestly speaking in a little conflict raises because of all the stuff I said only about Tae-oh. And yet, I'm working suddenly fascinated together to catch Gap-dong at the thought of it. I want them not to Bromance and develop into an odd couple, but I think it's a strangely effective adaptation of complementary skills will be. I'd worried about Mu-Yeom turn into the monster to catch the monster, because I'm invested in the idea of live him about taking Gap-dong, so the next best thing is to use the monster in your midst. It's kind of a perfect match.
On the other hand, I do not want that Tae-oh redeemed because he does not deserve it, and certainly not because of his pretty face or sad eyes or the actor drawing you. In his presentation Real-life murderers should not be cut slack for his good-looking (though it certainly happens, I'm recalling all "he's so hot" comment, which appeared in the wake of the Boston Marathon Bomber), so I feel uneasy for to recognize that this is a factor in a drama. I'm rooting for Mu-Yeom, but means that now I'm rooting for Tae-oh? And what makes a Tae-oh mean women triumph also in the context of this story? He can not come to "good", saying that he and the curiosity because I would frankly I do not believe that he is capable of, but if he can help the good side, regardless of his motives (I has spurred challenge, no sense of good to do), maybe he deserves credit for. And so I want to like him, but I am at the thought weirded out to like him.
I do not really know how to bring the conflict in line, and I realize that I am sharing some conflicting thoughts, but perhaps my only explanation that I am flawed human? Maybe all I can do is to recognize that it, although I do not have a collision here the answers. Life is a mystery that way
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